~ 1857 – 1920
Max Klinger was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil, the German manifestation of Art Nouveau.
Klinger enrolled in the Academy of Fine Arts in Karlsruhe in 1874 where he was a pupil of Karl (or Carl) Gussow. When Gussow left Karlsruhe to become the Director of the Academy of Fine Arts in Berlin, Klinger moved to Berlin as well to complete his studies there. Klinger shared a studio with Christian Krohg and the two had a mutual admiration for French naturalist authors like Émile Zola and Gustave Flaubert, who explored the shadowy aspects of urban life and the hypocrisy of society and the bourgeoisie in their novels. At that time realism was the prevailing style in Germany and Arnold Böcklin was one of the few artist active there that Klinger felt a close affinity to. Klinger graduated from the Academy in 1877. He was drawn to and studied the etchings and prints of many masters that were more aligned with his sensibilities including Dürer, Rembrandt, Goya, Runge, Menzel, and Rops.
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1 album/19 artworks
Latest Update: March 19, 2024 -> New page created for this artist (19 artworks)
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Karen Smits
