Starcks
1 album/5 artworks – This artist illustrated a publication for Irving Klaw titled Prisoned Woman.
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Gregor
There is not much I was able to find about this artist signing his work with the name Gregor, other then the fact that in the 1950s, the 16 numbered pictures of Gregor’s Bizarre Honeymoon were sold by mail order by Gargoyle Sales Corporation of New York City. Some artworks…
Hans Braun
The illustrations from Hans Braun appeared in a special from Phoenix magazine. Hans Braun was described as a civil engineer from Munich in Germany, it was mentioned he went to a school where corporal punishment was an established part of the curriculum and later learned to draw in a rudimentary…
Petite Dactylo
Petite dactylo is a French spanking novel by Pierre Dumarchey, published under his pen name Sadie Blackeyes. It was first published in 1913 or 1914 by Jean Fort in Paris. The novel’s title translates to “Little Typist”, and the frontispiece apparently shows the protagonist, a young female typist. The first…
Rudolf Schlichter
Rudolf Schlichter (1890 – 1955) was a German artist and one of the most important representatives of the Neue Sachlichkeit (New Objectivity) movement. Schlichter was born in Calw, Württemberg. After an apprenticeship as an enamel painter at a Pforzheim factory he attended the School of Arts and Crafts in Stuttgart….
Mira K
Mira K was a mysterious illustrator active in the 1920s and 1930s, renowned for her evocative F/F (female-on-female) spanking illustrations that embody the provocative essence of underground European erotica. Her work stands as a rare and introspective contribution to the “Golden Age” of French spanking literature and curiosa. Virtually nothing…
Jean d’Ayeud
Jean d’Ayeud is the enigmatic pseudonym attached to a handful of ultra‑rare, spanking‑themed erotic publications from the mid‑1930s. His most celebrated work, La Fesseuse Passionnée (also known as Les Voluptueuses Fessées), was issued by the boutique imprint Le Jardin d’Éros (part of Éditions du Couvre‑Feu/Jean Fort) in Paris around 1935‑1936. The volume is distinguished by sixteen hyper‑realistic illustration plates that push the limits of erotic…
