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Kurt Faber (active circa 1929–1932) was a little-known German artist and illustrator from the interwar period. He is primarily remembered for his contributions to erotic and fetishistic works centered on flagellantism (whipping and corporal punishment scenes). His output consists mainly of drawings and especially distinctive photomontages (photomanipulations).
His work appeared in the publications of Ernst Schertel, a German writer, occultist, and pioneering figure in the literary exploration of esotericism, sexuality, and flagellation. Faber contributed several pieces to Schertel’s multi-volume series Der Flagellantismus als literarisches Motiv (published between 1929 and 1932). These include dramatic photomontages that combine nude figures, BDSM-themed scenarios, whipping scenes, and related motifs. The compositions often feature a theatrical, sometimes surreal or stylized aesthetic that was striking for its time.
The black-and-white photographs and montages showing nude or semi-nude figures in submissive poses, dressed in 1920s/1930s style, often incorporating whips and period furniture
Faber appears to have been a niche artist (or possibly a dedicated amateur with a strong personal interest in spanking/flagellation) who produced material specifically for these specialized, semi-underground publications. His photomontages are particularly characteristic: he skillfully combined and manipulated photographic elements to create explicit or highly suggestive scenes, a technique that felt innovative and provocative in the late Weimar era.
1 album/7 artworks
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